by Jonathan Azaziah
It’s an intellectual and philosophical question for the ages: How can one engage in “remembrance” of something that never happened?
Have you ever been in the box with the blue bacon after getting jammed up for something you ain’t even do? They hammer you hard and start telling you where you’ve been, who you were with and what you had been up to. You’re their only suspect, they don’t know (or care) that you’re innocent, and they’re trying their damnedest to get you to think you actually committed the crime they’re accusing you of. They do have a quota to meet after all. They’re drilling the scenario into you with so much vigor that even though it’s all bullshit… As… Again… You’re innocent… You actually start to believe it and it’s right then and there that they take you to task. This is EXACTLY what Organized Jewish Interests have done to the entire planet over the last 70+ years, browbeating anyone and everyone in Gentiledom with the myth of “Nazi” exterminationism, transforming it into the most sophisticated weapon in political history, and using it to gain unprecedented influence and leverage over governments, international bodies, financial institutions, media outlets and notable industries. And that’s why International “Holocaust” Remembrance Day is as much of a fraud as the “Holocaust” itself.
Continue reading International “Holocaust” Remembrance Day Is As Much Of A Fraud As “The Holocaust®” Itself
(EDITOR’S NOTE: Hat tip to Mouqawamah Music co-founder and Jazz guitarist extraordinaire Trevor LaBonte for bringing this remarkable story to my attention. There are several degrees of horrifying Jewish Orwellianism at work here. The first and most glaringly obvious point to be made is that if Valentina Lisitsa was tweeting against Russian President Vladimir Putin and singing the praises of the Kiev coup regime, she would undoubtedly be lionized by the Jewish Mainstream Media’s echo chamber until her name was ringing in the globe’s four corners. Secondly, if Lisitsa’s performance was to be cancelled in the wake of the aforementioned hypothetical Russophobic tweets, the Jewish Mainstream Media would subsequently go on a rampage about Vladimir Putin’s “octopus-like” influence reaching Western shores and the necessity of measures being taken immediately to stop him by any means possible; more sanctions would be placed on Moscow and more arms would flow to the Maidan putsch gang. Lisitsa for her part would be portrayed as a “free speech martyr” on the front lines of the growing information war between the “democratic” West and a “resurgent, recalcitrant, expansionist Russia”. And the last, but certainly not least important question to ask, is, why is there such an outrage over this ultra-talented Ukrainian pianist bashing Neo-Nazi thugs targeting ethnic Russians and Russian-speaking Ukrainians in the Donbass? It is not a matter of debate that the “Nazi Germany was evil incarnate” line routinely churned out by the Zionist media, Hollywood and other like-similar organs is the very crux of the Jewish New World Order. Any leader that has ever fallen out of favor with International Jewry or outright righteously resisted it gets branded with the “Hitler” tag and their nation is painted with the “yet another Nazi Germany has risen” brush, from Stalin to Sayyed Hassan Nasrallah, the late Hugo Chavez to Dr. Ahmadinejad and Ayatollah Sayyed Ali Khamenei in Iran. So again, when the aim of World Zionism is to keep the imaginary threat of “Nazism” at the forefront of public consciousness, why did the Canadian wing of the Jewish Power Configuration go after this musician for ostensibly doing a whole ‘lotta “Nazi” bashing? The answer is as simple as it is deep and introspective. Valentina Lisitsa was targeted primarily because the Neo-Nazi forces being combated by the Novorossiya Resistance — which, for the record, has had no problem pointing out the unspoken but widely-known secret of the Kiev coup regime’s Jewishness — are quite literally the shock troops of the Jewish oligarchs running the show in Kiev. Neo-Nazism is a warped, Judeocentric caricature of the Liberationist-Japan-aligned German National Socialism that, all its faults taken into consideration, bravely resisted the quadripartite assault of the Rothschilds, America, Britain and the Jewish-controlled Soviet Union during WW2. For decades, the Mossad, CIA, FBI and other intelligence arms of Zio-Imperialism have used Neo-Nazis to achieve geopolitical objectives across multiple continents on the one hand, and to keep the planet’s population utterly confused about what National Socialism actually was on the other. Bottom line is that Lisitsa crossed the line that no Gentile, let alone brilliant Gentile musicians and artists, can ever cross: Bashing the schemes of the Jews and the puppets of the Jews in public. We are to be quiet and accept our enslavement; if we are hired to entertain, we shall do just that and never offer our opinions on things that matter; we are not to delve into historical matters that the globe holders have long wanted dead and buried, only to be utilized for their own cynical aim of maintaining their political and financial hegemony; we are not to stand with the men and women resisting this Judaic-Shaytanic Empire in conflict zones worldwide — be they in Eastern Ukraine, Syria, Yemen, occupied Palestine, occupied Kashmir, Iraq or elsewhere — we should merely watch them burn in the fires exacerbated by what the Jewish and Shabbos Goy ‘elite’ have deemed their own futile rejectionism; we are to be quiet and accept our enslavement, forever enduring a globally erected caste system far more perverted than what the Hindutvadi regime currently runs in India, where “The Chosen” live as kings and we “Goyim” live as their servants. Thank you sister Valentina Lisitsa for resisting this madness. Thank you sister Valentina Lisitsa for refusing to be silent. Keep playing those keys as beautifully as you do and long live the struggle of Novorossiya! Who knew that the music of mouqawamah, already firmly entrenched in Hip-Hop and Jazz, had a classical charter as well. ~ Jonathan Azaziah)
Continue reading Classical Mouqawamah Music? Ukrainian Pianist Gets Show Cancelled for ‘Offensive’ Tweets
by Arthur Topham, Radical Press
“What goes around comes around”
~ modern-day English expression to describe the Buddhist Law of Karma
The recent November 27, 2014 guilty ruling by Justice Wendy Matheson in the defamation lawsuit against Sun News Network’s Zionist Jew propagandist Ezra Levant by Khurrum Awan a Muslim Canadian lawyer came for many as a surprise and a grave disappointment.
What this reflects for those caught up in the deceptive rhetoric of Ezra Levant and his background support network of international Jewry (and those not), is that there are within that sector of people paying attention to Canadian and global politics, two schools of thought when it comes to the issue of freedom of speech or expression; one that sees Levant as the leading spokesperson for freedom of speech and another which views his actions or behaviour as that of the proverbial Trojan Horse – interposed within the Jew media monopoly in order to serve the needs, not of Canada, but of the Israeli agenda which, ultimately, means the ideology of Zionism. Continue reading KARMA: Ezra Levant, Zionism & the Politics of Deception
by Brendon O’Connell, Isolate But Preserve
If the man and his daughter were “Jews”, the international media would have been notified. But they are “worthless Muslims” so the Western Australian police do nothing.
Two men threaten Mustafa and his children with death! They come to his place of business, the ask if he is a Muslim and when Mustafa replied “Yes”, they tell him, “Fuck off to your own country or we will kill you!”(THREAT TO KILL) Continue reading DEATH THREATS MADE AGAINST LOCAL MUSLIM FAMILY – Australian POLICE COVER IT UP