by Jonathan Azaziah
Considering that Hollywood is owned and run by Zionist Jews, it shouldn’t come as a surprise or an outrage that the proxies of the Zionist Jews in the criminal war on Syria–i.e. the White Helmets aka Al-Qaeda aka Jabhat al-Nusra–won the Oscar for “Best Documentary”. Zio-Hollywood has long played a role in the destabilization of the Syrian Arab Republic, including as recently as the distortion of events in now-liberated Aleppo, and the White Helmets’ “victory” is merely an extension of this filthy institution’s ongoing complicity in the conspiracy against the Resistance Axis.
Moreover, if we’re really getting down to brass tacks here… Is it really SO shocking that these US-UK-Soros-backed terrorists won an Oscar when just 15 years ago the notorious Jewish pedophile Roman Polanski took home the Academy Award for “Best Director”? The degeneracy in the air is so thick that you could cut it with a plastic butter knife. Come on people!
Zionists, Pedophiles and Terrorists are the unholy trinity of American Liberal “Culture”. And Hollywood is the very nexus point where they all meet and plot to erode humanity’s moral compass further and further ’till nothing but their warped Weltanschauung remains.
by Jonathan Azaziah
Saw “Spotlight” over the weekend with my little brother. Well-done film, from the acting to the direction to the story. But there was an 800-pound gorilla with a six-pointed star tattooed on its head pounding its chest in the back and front of my mind the entire time I was watching: Would Martin Baron, the Jewish editor of the Boston Globe at the time, have shown so much vigor and dedicated so much time and effort along with so many resources to exposing the systemic horror of rabbis raping children in the Jewish community? Not in this life or the Hereafter. There are rabbinical predators harming kids in every major city in the US, every major city in Canada, every major city in Europe, every major city in Australia and New Zealand, in South Africa and yes, even inside the disgusting Zionist entity itself. The biggest monsters off the top of my head? Avrohom Mondrowitz, Israel Weingarten and Solomon Hafner. Unspeakable what this spawn of Satan did to hundreds upon hundreds of innocents and barely anybody outside the Jewish community even knows who they are. Continue reading “Spotlight”, Hollywood Zioganda and The Systemic Rabbinical Rape Of Children
DRVENGRAD, Western Serbia, January 26 /TASS/. Well-known Serbian film director, Emir Kusturica, said on Monday that Russian and Serbian film industries needed to undergo “cultural de-colonization” and get rid of Hollywood influence.
“Russia has never been anybody’s colony but Hollywood has managed to colonize it. Colonization is a dangerous thing. When a Russian film starts looking like an American picture, it’s really funny because it stops being Russia but it never becomes American,” Kusturica said in an interview with TASS given on the sidelines of the 8th International Film Festival “Kustendorf” which Kusturica has founded. Continue reading Russia and Serbia need cultural de-colonization, Emir Kusturica says
Pyongyang refused to kowtow when asked if it was behind a massive cyberattack against Sony Pictures, telling the world to “wait and see.” The hack came a month before Sony releases a comedy film centered on an attempted assassination of Kim Jong-un.
“The hostile forces are relating everything to the DPRK (North Korea). I kindly advise you to just wait and see,” a spokesman for North Korea’s UN mission told Reuters when asked about a cyberattack against the studio’s computer network.
Pyongyang frequently refers to the United States and South Korea as “hostile forces,” the agency reports. Continue reading ‘Wanna kill Kim?’ DPRK isn’t denying hack in revenge for Sony hasbara flick
by Martin Chilton, The Telegraph
The film version of Animal Farm was released to acclaim 60 years ago. There was a gala launch at the United Nations in New York and the film was praised by national newspapers. “The British out-Disney Disney” was one headline.
George Orwell’s novella remains a set book on school curriculums, and his satire has lost none of its relevance in the modern age (“All animals are equal but some animals are more equal than others”). The story of how his book was turned into Britain’s first animated feature film is fascinating, not least because the movie was funded by America’s Central Intelligence Agency. Continue reading How the CIA brought Animal Farm to the screen
(EDITOR’S NOTE: The facts contained in this story are devastating. Not only does Hamid Reza Emadi thrash the entire “Rosewater” narrative with a mere truthful telling of the events at hand, he also casts a bright light on the murkiness of Jon Stewart’s intentions. Because Stewart has done a sketch here and there criticizing the usurping Zionist entity’s POLICIES, not its criminal, illegitimate existence, but its POLICIES, many among our ranks have looked to this person as some sort of a hero. “Rosewater”, a film based on lie after lie, proves unequivocally that he is not. Stewart’s concern, despite his outer shell which may appear to be something to the contrary, is World Jewry and its geopolitical aims. “Rosewater” isn’t just Zionist propaganda and Iranophobia at their most depraved, it’s also Jewish tribalism in its most classic form. ~ Jonathan Azaziah) Continue reading Is Jon Stewart’s Rosewater really based on a true story?